Local content
Procurement and crewing follow the local content law of the Federal Republic. Nigerian content is written into the specification, not added as a footnote after the gear list.
Established 2021 · Nigeria
Event management, sound, LED, lighting, stage, power, procurement, and the installation that stays. World-class live production, timed and budgeted.

About
Your one-stop shop for event needs.
Established in 2021, BTG Multimedia is an event, procurement, installation, and management outfit. We prioritise bringing the local content law of the Federal Republic of Nigeria together with international standards and practice, so multimedia and live production are delivered to a world-class bar.
Over the years we have perfected excellent service — on time, and within a good budget — for our clients.
Procurement and crewing follow the local content law of the Federal Republic. Nigerian content is written into the specification, not added as a footnote after the gear list.
Plots, power, rigging, and show-calling held to the habits of serious international production — so the local brief still looks world-class in the room and on camera.
Services
Book a single craft, or hand over the whole show. The same team prices it, rigs it, and stands by it.
One producer holds the run of show — timing, vendors, crew, and the brief — so the day is not a chain of last-minute calls.
Line arrays, front fill, and monitors mixed so speech and music stay intelligible in a hall, a field, or a sanctuary.
Indoor and outdoor walls sized to the room and the camera, with playback that sits with the lighting instead of fighting it.
Moving heads, washes, and a plot that reads on camera and from the back row — a designed look, not a random colour wash.
Decks, truss, drapes, and access built for the weight of the show and the people standing on it.
Power sized for LED, audio, and lights, so a grid dip does not take the show with it.
Kit and materials sourced against Nigeria’s local content requirements, without quietly dropping the specification.
Permanent and temporary fit-outs: screens, PA, lighting, and cable paths that still look deliberate after we leave.
Installed systems looked after between events, so the next show is a switch-on, not a rebuild.
Projects
Real photographs of screens, sound, light, stage, and rigging. Send pictures from your own jobs and they take these places.
How a job runs
01
City, date, headcount, and what the room has to do — speech, music, cameras, or all three.
02
A scope you can read, kit that matches Nigerian content rules and an international plot, and a number that holds.
03
Install, show-call, and — when the kit stays — facility care so the next event is not a fresh build.
Contact
City, date, and what the room has to do. We come back with a scope and a budget you can hold.